DETAILS

In Fellowship 26, Conner Gordon and Helen Jones both reimagine relationships to place. Gordon destabilizes conventional views of the American landscape through abstract photographs of the Oregon coast made using binoculars as a makeshift lens. Together with an accompanying video, these works reject clarity in favor of the peripheral, the fragmented, and the multifaceted. Jones explores the connections between people and place, focusing on the emotional and material traces that persist across time and geography. By combining contemporary photographs with archival materials, she creates open-ended narratives that resist fixed interpretation, revealing instead echoes, connections, and lingering mysteries.